Mary L. Nohl Fund Fellowships for Individual Artists 2020 Guidelines

The Greater Milwaukee Foundation’s Mary L. Nohl Fellowships for Individual Artists program is funded by the Greater Milwaukee Foundation’s Mary L. Nohl Fund and administered by the Lynden. The purpose of the Nohl Fellowships is to recognize visual artists who are making, or will make, significant contributions to their fields and to our community, and who promote the arts in the region through continued excellence.

The Nohl Fellowship program aligns with the Greater Milwaukee Foundation’s commitment to racial equity and inclusion, and with the emerging efforts of peer artist fellowship programs around the country to amplify underrepresented voices in the profession. The Greater Milwaukee Foundation has made a generational commitment to equity and inclusion.

Since its inception the Nohl Fellowship has intentionally taken into account race, ethnicity, gender, age, geographical location--as well as curatorial interests and the likelihood that the home institution would show a Milwaukee artist—when recruiting jurors.

The Nohl Fellowships are intended to encourage artists to stay in Greater Milwaukee, to evolve as artistic practitioners, and to contribute to our community through the creation of art. The Fellowship also promotes the work of local artists through the use of diverse jurors from outside the four-county area and the publication of an exhibition catalogue.

The Fellowship provides unrestricted funds for artists working in a broad range of visual arts fields (including installation, film, video, social practice, public art, and new media) to create new work or complete work in progress. Black, Indigenous, and other artists of color, and those representing diverse cultural perspectives, are strongly urged to apply.

A total of five fellowships will be awarded in 2020: two awards for Established Artists ($20,000 each) and three awards for Emerging Artists ($10,000 each). While the current public health crisis makes it difficult to predict which parts of the program will be in-person in the coming year, typically the twelve-month fellowship year includes studio visits from curators and artists outside the area; an exhibition at the Haggerty Museum of Art at Marquette University; and an opportunity to present a public program. The exhibition, and the Fellowship program, will be documented in a catalogue that includes a critical essay on each artist’s work. The catalogue is distributed locally, regionally, and nationally.

Each year, the Nohl Fellows are selected by an independent panel of three recognized visual arts professionals working outside the four-county area. The panel of jurors is chosen for their broad knowledge of contemporary art practices.

Jurors recommend awards based on many factors, including the quality of work submitted; demonstrated commitment to one’s practice as evidenced by ongoing production/activity; artistic exploration and risk-taking in the art form; and dedication to expanding the social boundaries or audience for the discipline. Jurors also take into consideration: the Artist Statement; the record of professional accomplishments and contributions to the field as recorded in the Artist Biography (résumé)--which can include the local arts community, or on the regional, national, or international level; and the appropriateness of the Fellowship category (Emerging or Established) to the artist’s career stage. The jurors may consider additional issues in making recommendations including whether the applicant is a previous Nohl Fellowship recipient in the Established category.

Applicants with computer access are required to apply online. We use the online platform Submittable to manage the application process. If you do not have computer access or are unable to use the electronic platform, please contact Polly Morris at (414) 446-8794. You will receive a paper copy of the application and instructions (which differ from the application instructions for online applications).

Interested artists are strongly urged to attend or view the informational workshops to find out more about the fellowship program and the application process. You may also submit questions during the virtual Q&A session closer to the deadline.

DEADLINES
PUBLIC WORKSHOPS & FAQS
ELIGIBILITY REQUIREMENTS
DEFINITIONS
APPLICATION PROCESS & TIME TABLE


DEADLINES


Applications must be submitted online no later than Thursday, October 8, 2020 at 5 pm. Late applications will not be considered. All decisions are final.


PUBLIC WORKSHOPS & FAQS


There will be a free, virtual workshop for prospective applicants and a virtual Q&A—see Time Table, below, for details. This is the best way to get your questions answered. You may also consult our Frequently Asked Questions. Although we cannot provide individualized technical assistance in preparing your application, we will explain and clarify guidelines and eligibility requirements, review criteria, and definitions. If you have additional questions, please contact Polly Morris at (414) 446-8794 or pmorris@lyndensculpturegarden.org (email preferred). If leaving a voice message, be sure to leave a time and phone number at which you may be reached. If using email, please put “Nohl Fellowship” in the subject line.


ELIGIBILITY REQUIREMENTS


• Must be a professionally active visual artist.
• Must be an originating artist (no actors, musicians, dancers).
• Must currently reside in Milwaukee, Waukesha, Ozaukee or Washington counties and for a minimum of one year prior to application.
• Artists may submit only one Artist Fellowship application per year.
• Must not be a full-time or part-time student pursuing a degree in the visual arts, film, or an art-related field at the time of application. Participation of full- or part-time students in a collaborative group will disqualify the group from consideration.
• Fellowship recipients are expected to remain in the four-county area and to refrain from enrolling in a degree program in a related field during the fellowship year.

Please note that artists who receive a 2020 Fellowship in the Emerging category may not reapply until 2025. Artists who receive a 2020 Fellowship in the Established category may not reapply until 2027.


DEFINITIONS

Visual Artist: The panel will consider visual artists working in a wide variety of media including the traditional fine arts, film/video, installation, social practice, public art, and new media. The fellowship is not intended for commercial artists, musicians, theatre artists, or others whose work is generally not presented in an exhibition/screening context. Artists working across disciplines must justify their eligibility by listing relevant activities in their Artist Biographies (e.g., exhibitions, programs posted online, installations in public venues, reviews, or prior grants awarded for visual artists). A professionally active artist is not required to support themselves through their artmaking, but should be able to demonstrate a commitment to their practice through ongoing production/activity, artistic exploration, and participation, as appropriate, in the discipline and the local arts community.

Established Artist: An artist who has developed a mature artistic voice and has created a recognized body of original work over a sustained period of time (minimum of five-year exhibition history required, excluding time in graduate or undergraduate programs). Recognition of artistic merit could include some combination of: exhibitions; reviews; commissions; grant/fellowship awards; residencies; screenings; publications; gallery representation; and active collection of the artist’s work by individuals or institutions.

Emerging Artist: This term refers to the state of an artist’s development, professional accomplishment, and recognition rather than to their chronological age. An artist who is in the early stages of their creative development and demonstrates significant potential, but has not yet received the forms of acknowledgment listed under “Established Artist,” should apply as an “Emerging Artist.”

Partnerships/Collaborative Groups (2 or more artists who consistently work together): Artists working in partnerships or collaborative groups are eligible to apply in either the Emerging or Established category. The majority of the artists in the collaborative must fall into the category chosen. At least half of the participating artists must also meet the residency requirement as described above and on the application form. A letter outlining the nature of the working relationships, with a commitment to work together through the fellowship period (November 2020-November 2021), signed by all members of the group, MUST be uploaded to your online application. The application must come from an individual acting as the lead applicant: that person must satisfy the residency requirement and will receive the fellowship monies and will be responsible for fiscal and narrative reporting.


APPLICATION PROCESS & TIMETABLE

Tuesday, September 8, 2020
Mary L. Nohl Fellowship application and guidelines available at 11 am.

Thursday, September 10, 2020, 6-7:30 pm
Virtual workshop for prospective applicants. Fellows in attendance: Cecelia Condit, LaNia Sproles, Natasha Woods. To watch a recording of this workshop, click here.

Wednesday, September 30, 2020, 12 noon-1 pm
Virtual Q&A for prospective applicants. To watch a recording of this workshop, click here.

September 2020
Applicants compile their application materials, including an Artist Biography, work samples, and an Artist Statement.

Thursday, October 8, 2020
Applications are due. Please note that online submissions are due at 5 pm. Paper applications must be postmarked no later than October 8. Late applications will not be accepted.

October 2020
Staff reviews applications for completeness and eligibility.

First Round of Jurying
Each juror reviews all submissions (electronic images, videos) on their personal computer monitors. They score each applicant 1 to 5, and Lynden staff tabulates results to identify the top 20-25 applicants in each pool (established and emerging). These semifinalists move to the second round.

Second Round of Jurying
The jurors have several days to review the two semifinalist pools, paying closer attention to the Artist Statement and Artist Biography this time. At the end of this period, a conference call is held during which all semifinalists in each pool are discussed. Seven finalists will be selected in the established pool, and 10 finalists will be selected in the emerging pool.
The 7 finalists in the established pool will receive a virtual studio visit, providing jurors with a broader context for their work. Anyone applying in the Established Artist category MUST be available for a studio visit on Tuesday, December 1, 2020. If you know at the time of application that you will not be available that day, please contact the fellowship administrator immediately at pmorris@lyndensculpturegarden.org.

Tuesday, November 17, 2020
All applicants who were not chosen as finalists will be notified via email. Applicants will be encouraged to contact Lynden staff after the entire jurying process is complete to schedule a time to discuss jurors’ comments. Finalists in both pools will be contacted separately, also via email. The 7 established finalists will receive instructions on how to prepare for brief, 25-minute virtual studio visits.

November 17-29, 2020
Established finalists prepare their studio visit presentations and make appointments with Lynden staff to check their internet connections and practice their presentations.

Tuesday, December 1, 2020
Virtual studio visits for 7 established finalists. Upon completion of the studio visits (and no later than midday, Wednesday, December 2, 2020), the administrator will call the five fellows and email the other finalists to share the results.

Monday, December 7, 2020
Fellowship winners are announced publicly.

A grant agreement will be executed between each recipient and Lynden Inc. Fellowship Awards are disbursed. The Internal Revenue Code states that the full amount of a Fellowship is taxable income. Recipients should consult the IRS or their tax advisors for more information.

December 2020-May 2021
Fellows meet periodically with curators to monitor progress, plan exhibition, and produce catalogue materials (artist statement, biography and checklist, commissioned essay, images). Subject to public health conditions.

June 2021
Exhibition opens; catalogue published. Subject to public health conditions.

June-December 2021
Ancillary activities and external studios visits.

Final Reports are submitted, including documentation of works completed during the award period. The report will detail activities undertaken during the Fellowship period and the impact of the Fellowship on the recipient. Final report forms will be available in November 2021.

To access the application instructions, click here.


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