Events Calendar

Saturday, July 11 2026

June 4, 2026 - 1:30pm - August 1, 2026 - 1:30pm

Nohl 2025 Cover
Open M-Sa 10 am-4:30 pm, admission free.
(The museum will be closed June 28-July 5, 2026).

This exhibition is off-site at: Haggerty Museum of Art
For directions and parking information:Click here

Opening reception: Saturday, June 13, 4-6 pm

The exhibition brings together work by Michelle Grabner and Michael Newhall in the Established category; and three artists in the Emerging category: Sarah Ballard, Margaret Griffin, and Open Kitchen (Rudy Medina and Alyx Christensen). The 2025 Nohl Fellows were chosen in late 2024 from a field of 157 applicants by a panel of three jurors: Efe Igor Coleman, independent curator, Memphis, Tennessee; Raphael Fonseca, Curator of Modern and Contemporary Latin American Art, Denver Art Museum, Denver, Colorado; and Adia Sykes, independent curator and Program Manager, United States Artists, Chicago.

More information: Click here

July 11, 2026 - 2:00pm

Photo Credit: Greg Kessler
Reclamation, Photo Credit: Greg Kessler
FREE but registration required.

Performance residency: June 22-July 11, 2026. If you are interested in participating in the performance, please click here.

In The Reclamation, which premiered at NYU Skirball in New York City in April 2025, choreographer Reggie Wilson is reclaiming foundational ideas from his early gestural and “duet-ed” works and landing on provocative questions and surprises that respond to our current times. Wilson’s meticulous and rigorous kinesthetic reclamation process asks, What do you have? What do you keep? How do you make whatever’s left meaningful? And, ultimately, Is the reclamation of self necessary to build resilience?

The Reclamation is the fourth episode in an eleven-year relationship with Reggie Wilson and his company, Reggie Wilson/Fist & Heel Performance Group. The relationship is built around Wilson’s desire to maintain a creative presence in Milwaukee, the city of his birth and upbringing, as an essential part of his artistic practice. Working from a model we have developed with the choreographer, his company, and Lynden’s constituent communities, Wilson has been reimagining his company’s proscenium works for Lynden’s specific conditions and participants since 2015, when he joined Call & Response as a core artist: Moses(es), Citizen, and POWER. Wilson remakes each piece to traverse the grounds and to integrate his “second company,” the large intergenerational cast of local dancers and community members who participate in his residencies.


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