Free to members or with admission to the sculpture garden.

Yevgeniya Kaganovich and her student assistants will take up residence in the studio all afternoon to make the next “planting” of grow, Kaganovich’s durational installation. grow is a system of interconnected plant-like forms simulating a self-propagating organism in multiple stages of development. Created from a singular material, recycled plastic bags, the system grows over time, its growth rate determined by the number of bags accumulated in our official recycling bin. Drop in to watch or participate as Kaganovich fuses the layers of plastic to create a surface similar to leather or skin, molds the skin into plant-like volumes, stuffs the volumes with more bags, and connects the forms with plastic bag “thread.” Tasks include cutting sheets and strips; fusing sheets and tubes; sewing bulb forms and connecting them to bases; crocheting tubes and necks; stuffing stalks; and assembling the plants.

   

Free to members or with admission to the sculpture garden.

Yevgeniya Kaganovich and her student assistants will take up residence in the studio all afternoon to make the next “planting” of grow, Kaganovich’s durational installation. grow is a system of interconnected plant-like forms simulating a self-propagating organism in multiple stages of development. Created from a singular material, recycled plastic bags, the system grows over time, its growth rate determined by the number of bags accumulated in our official recycling bin. Drop in to watch or participate as Kaganovich fuses the layers of plastic to create a surface similar to leather or skin, molds the skin into plant-like volumes, stuffs the volumes with more bags, and connects the forms with plastic bag “thread.” Tasks include cutting sheets and strips; fusing sheets and tubes; sewing bulb forms and connecting them to bases; crocheting tubes and necks; stuffing stalks; and assembling the plants.

Presented in collaboration with Woodland Pattern Book Center.
Fee: $300/$275 for members of Lynden or Woodland Pattern (one discount only)

Lynden Sculpture Garden and the Woodland Pattern Book Center offer a weeklong-residency at Lynden with poets and writers-in-residence Lytle Shaw and Ed Friedman. In addition to the workshop, the writers will offer a reading at Woodland Pattern on June 2 at 7 pm. The workshop will culminate in a reading and reception at Lynden on Friday, June 7 at 7 pm.

Siting, Placement, and Flow is a writing workshop that will utilize the Lynden Sculpture Garden, as experienced from two vantages.

One
Most outdoor modern sculpture like that at Lynden at once casts attention to its siting, its placement in and interaction with a specific environment, and also displaces viewers from that environment through the associations evoked by its materials: specialized welding, architectural structures, the worlds of heavy industry and construction. This dual address, however, is not unique to sculpture: poetry, too, might be characterized as a constant oscillation between its gestures of pointing at specific things, and its inescapable processes of abstraction—its evocation of cultural, historical, linguistic associations that cannot be neatly contained in a single space.

Though only 40 or so years old, the language of mid-century abstract sculpture can feel as remote to us today as that of Egyptian hieroglyphics. This workshop will seek to convert our distance from sculptural modernism into an asset, inviting writers to reinvent its uses in the present as the point of departure for generating serial poetry.

What does such sculpture want? What might we want from it? How might we go about exacting it?

Two
In a sculpture garden, there are high-priority—usually high-density—forms set into and creating a wider ambience of thought and potential experience. Such elements as landscape, lighting, weather, and human occupancy suggest both open opportunities and constraints. In this workshop we’ll be writing works in poetry and prose that exist in the context of other works. We’ll be working in forms, some of which are established in advance of writing and others that evolve conceptually as we go. We’ll experiment with some very short, minimal forms and how they can be combined into larger works. We’ll collaborate and pool our resources. We’ll evolve complexities.

What is visuality in writing? How do we attain materiality in language? How do we release our sense of authority and then reappear in the work more surprisingly ourselves?

Lytle Shaw’s books include Cable Factory 20, The Lobe, and Frank O’Hara: The Poetics of Coterie. A contributing editor for Cabinet, he has recently published catalog essays on Robert Smithson and Zoe Leonard for DIA Center, on Gerard Byrne for Koenig Books, and on The Royal Art Lodge for the Drawing Center. Shaw is currently working on two books: one about the politics of time in depicted landscapes and another about the status of poetry in recent theoretical debates.

Ed Friedman is the author of nine books of poetry and prose, including The Telephone Book; Humans Work; Mao & Matisse; and Drive Through the Blue Cylinders. He has collaborated frequently with visual artists Robert Kushner (The New York Hat Line and Away) and Kim MacConnel (La Frontera and Lingomats). Friedman has given readings and performances in venues such as The Museum of Modern Art, The Kitchen, and The Public Theater. For 16 years (1987-2003) he was the artistic director of the Poetry Project at St. Mark’s Church in NYC. He lives with his wife and 13-year-old son.

Dates at Lynden: June 3-June 7

Monday, June 3 2-7:30 pm
Tuesday, June 4 2-5 pm
Wednesday, June 5 2-5 pm
Thursday, June 6 2-5 pm
Friday, June 7 2-5 pm (reading to follow)

Related events:

Sunday, June 2
7 pm
$5-$8
Opening Reading: Lytle Shaw & Ed Friedman
This event takes place at Woodland Pattern Book Center, 720 E. Locust St., Milwaukee, WI 53212

Friday, June 7
7 pm
Workshop Reading & Celebration
Free
This event takes place at the Lynden Sculpture Garden.
Participants in the workshop offer a reading of work produced during the week followed by a reception.

   

Free to members or with admission to the sculpture garden.

Yevgeniya Kaganovich and her student assistants will take up residence in the studio all afternoon to make the next “planting” of grow, Kaganovich’s durational installation. grow is a system of interconnected plant-like forms simulating a self-propagating organism in multiple stages of development. Created from a singular material, recycled plastic bags, the system grows over time, its growth rate determined by the number of bags accumulated in our official recycling bin. Drop in to watch or participate as Kaganovich fuses the layers of plastic to create a surface similar to leather or skin, molds the skin into plant-like volumes, stuffs the volumes with more bags, and connects the forms with plastic bag “thread.” Tasks include cutting sheets and strips; fusing sheets and tubes; sewing bulb forms and connecting them to bases; crocheting tubes and necks; stuffing stalks; and assembling the plants.

   

Free to members or with admission to the sculpture garden.

Yevgeniya Kaganovich and her student assistants will take up residence in the studio all afternoon to make the next “planting” of grow, Kaganovich’s durational installation. grow is a system of interconnected plant-like forms simulating a self-propagating organism in multiple stages of development. Created from a singular material, recycled plastic bags, the system grows over time, its growth rate determined by the number of bags accumulated in our official recycling bin. Drop in to watch or participate as Kaganovich fuses the layers of plastic to create a surface similar to leather or skin, molds the skin into plant-like volumes, stuffs the volumes with more bags, and connects the forms with plastic bag “thread.” Tasks include cutting sheets and strips; fusing sheets and tubes; sewing bulb forms and connecting them to bases; crocheting tubes and necks; stuffing stalks; and assembling the plants.

Tuesdays in the Garden takes place two Tuesdays in June, July and August, from 10:30-11:30 am. Each month has a different theme, but the activities for both sessions within a month are the same. Feel free to stay and picnic afterward.

Note: the summer sessions of Tuesdays in the Garden are now full. For fall sessions of Tuesdays in the garden, click here.

A Workshop with Kelly Lahl

This workshop is now full. Make sure to sign up for our e-list to keep up to date with future workshops.

Register online now.

Fee: $85/ $75 members (all materials included)

Register online now.

Fee: $15/$12 members – includes an autographed copy of How to Be Interesting (In 10 Simple Steps), refreshments and admission to the sculpture garden.

You want to leave a mark, not a blemish. Be a hero, not a spectator. You want to be interesting. (Who doesn’t?) But sometimes it takes a nudge, a wake-up call, an intervention!—and a little help. This is where Jessica Hagy comes in. A writer and illustrator of great economy, charm, and insight, she’s created How to Be Interesting, a uniquely inspirational how-to that combines fresh and pithy lessons with deceptively simple diagrams and charts.

Ms. Hagy started on Forbes.com, where she’s a weekly blogger, by creating a “How to Be Interesting” post that went viral, attracting 1.4 million viewers so far, with tens of thousands of them liking, linking, and tweeting the article. Now she’s deeply explored the ideas that resonated with so many readers to create this small and quirky book with a large and universal message. It’s a book about exploring: Talk to strangers. About taking chances: Expose yourself to ridicule, to risk, to wild ideas. About being childlike, not childish: Remember how amazing the world was before you learned to be cynical. About being open: Never take in the welcome mat. About breaking routine: Take daily vaca-tions . . . if only for a few minutes. About taking ownership: Whatever you’re doing, enjoy it, embrace it, master it as well as you can. And about growing a pair: If you’re not courageous, you’re going to be hanging around the water cooler, talking about the guy that actually is.

Jessica Hagy is known for her Webby Award–winning blog Indexed. Her cartoons regularly appear in The New York Times, and she writes a weekly blog for Smithsonian and an online column for Forbes. Ms. Hagy lives in Seattle, Washington.

Fee (noncredit): $170 until 1 June 2013; $200 thereafter. Advanced registration required. Register online now.

Presented in collaboration with Woodland Pattern Book Center.

Fee: $400/$360 for members of the Lynden Sculpture Garden or Woodland Pattern Book Center (only one discount applies). Fee includes admission to Fiffer’s reading and lunch on Saturday & Sunday.

Registration: Registration is now closed. If you have any questions, please contact Polly Morris at pmorris@lyndensculpturegarden.org or 414-446-8794.

Lodging Package: A block of rooms will be available at the Plaza Hotel in downtown Milwaukee at very reasonable rates. Check back soon for more information and reservation deadlines.

Are you writing a mystery, memoir, or a literary novel? Have you begun a collection of short stories? Are you revising your novel for the third time or are you struggling with the first draft? All writers, at any stage of their work, are welcome to participate in a weekend intensive with Sharon Fiffer, author of the Jane Wheel mysteries and a popular blog, What I Learned At The EZ Way Inn.

Begin by embarking on a junking junket around Milwaukee with Sharon Fiffer and Anne Kingsbury of Woodland Pattern. Fiffer will introduce you to the world of her character, Jane Wheel--antiques picker and private investigator. Much of Fiffer's fiction is based on childhood memories of growing up in Kankakee, Illinois and the objects she finds on her own junking expeditions. She will guide you through treasure hunting “research,” talk about the relationship between found objects and creative memory, and help you find some good stuff! On Saturday and Sunday the workshop moves to the Lynden Sculpture Garden, where you will discover your hidden story.

Sharon Fiffer’s residency is a collaboration between Lynden Sculpture Garden and the Woodland Pattern Book Center. In addition to the workshop, Fiffer will offer a reading at Woodland Pattern on March 8 at 7 pm. The weekend will conclude at Lynden with a free, informal reading (followed by a reception) by workshop participants on Sunday, March 10 at 2 pm. Both of these events are open to the public. Tickets for the Friday reading are available from Woodland Pattern at (414) 263-5001.

Schedule at a Glance

All activities take place at the Lynden Sculpture Garden unless otherwise indicated.

Friday, March 9
2 pm: Welcome and assemble for Junk Junket at Woodland Pattern Book Center, 720 E. Locust St., Milwaukee, WI 53212.
5 pm: Dinner (location TBA).
5 pm: Reading by Sharon Fiffer at Woodland Pattern.

Saturday, March 9
10 am-12 pm: Getting started.
12 pm -1 pm: Lunch (provided by MKELocalicious).
1 pm-5 pm: The first chapter.
Dinner on your own
8 pm: EZ Way Inn Outing (optional).

Sunday, March 10
9 am-12 pm: Writing in short form.
12 pm -1 pm: Lunch (provided by MKELocalicious).
1-2 pm: Prepare for reading.
2 pm-4 pm: Reading followed by reception

Detailed Schedule

Friday
The weekend will kick off Friday afternoon with a junking junket with Sharon Fiffer and Anne Kingsbury of Woodland Pattern (Jane Wheel, after all, is known as a PPI: picker, private investigator). Sharon and Anne will take you to some of Milwaukee’s finest junking spots—and perhaps you’ll acquire an object you’d like to write about over the weekend. The group will stop for dinner prior to a reading by Sharon Fiffer at Woodland Pattern. Fiffer will read from her latest Jane Wheel mystery, an essay about transitioning into a mystery writer, and excerpts from other works. Discussion to follow.

Saturday
On Saturday, the group convenes at the Lynden Sculpture Garden.
In the morning: Getting started.
The first sentence. The first paragraph. The first page.
Everyone has a story. We will discuss finding yours. Whether you want to tell your story in fiction--as a short story or novel or as a memoir--every story begins with the first sentence, the first paragraph, the first page. And that's where we will begin. Writing from memory, finding your voice, figuring out what comes next and exercises to boost your creativity will all be covered in our workshop. Beginners and seasoned writers alike--we all start each writing day by putting pen to paper (or fingers to keyboard) and that's what we will do this morning.

We will write, read, discuss, wring our hands and gnash our teeth.

In the afternoon: The first chapter.
How to tell your story--what to tell and what not to tell. We will discuss plotting a novel--and, quite similarly, structuring a memoir. Various examples of structuring your work will be discussed and we will work on "timelines" for your pieces. Writing shorter pieces? Personal essays? Blog posts? Structure is vital since it will help you decide how to select your topics and the best, truest way to express yourself.

We will write, read, discuss, and if necessary, continue our wringing and gnashing. Yes, writing is hard. However, telling your story just might change the world. In other words, writing your story is worth it.

After dinner on your own, participants are invited to reassemble for an optional outing at an appropriately EZ Way Inn-ish Milwaukee nightspot.

Sunday
Sunday morning: Writing in short form.
From fact to fiction to memoir. That's how I used my own experiences, my own story in my work. I'll share some of the ways in which I loaned my life to my fictional character, Jane Wheel, and how I discovered a structure in which to reclaim the material for a memoir, which I am excerpting on my blog under "What I Learned At The E Z Way Inn."

In the afternoon: Reading
We will discuss reading one's own work--how to present and how to feel (mostly) comfortable reading one's work, and we’ll select pieces to read at the informal event this afternoon (friends and family welcome). We’ll finish with a reception—a chance for informal chatting and follow up.

What They Are Saying about Sharon Fiffer

From the first book, Killer Stuff…

"Killer Stuff is one of the funnest reads I have had in years. All of Sharon Fiffer's characters are absolutely superbly drawn and seem so real."

…to the eighth, Lucky Stuff…

"Fiffer’s prose sparkles, and she knows how to tell a story. All her characters are wonderfully real people, very much like people you might actually know yourself."

…Sharon Fiffer captivates her readers and leaves them wanting more.

“Sharon Fiffer is a terrific, gifted writer and teacher. Her knowledge of literature is wide-ranging and deep, and her insights are literate, insightful and often transformative to her writer-students. Her approach is kind, light-hearted and incredibly intelligent. I feel so fortunate to be a student of hers, which I have been for three years on a weekly basis.”
-Judith Q. Iacuzzi, Author of "Trust" A History of ACG

"Not only is Sharon a gifted writer, but she is also an outstanding teacher. Her instruction is both insightful and practical and her attitude is always positive, patient and encouraging. I feel lucky to be able to work with her."
- Francie Arenson. Wesley Writers Workshop

About Sharon Fiffer

Sharon Fiffer is the author of eight Jane Wheel mysteries published by St. Martin’s Minotaur: Killer Stuff, Guy’s Stuff, The Wrong Stuff, Buried Stuff, Hollywood Stuff, Scary Stuff, Backstage Stuff, and Lucky Stuff. She is also the co-editor of three collections of literary memoirs--HOME; American Writers Remember Rooms of Their Own; FAMILY: American Writers Remember Their Own; and BODY--and co-edited the award-winning literary magazine Other Voices for eight years. Fiffer’s short fiction has been published in several literary magazines. She received an Illinois Arts Council Award for her story “The Power of Speech” and was awarded a fellowship in fiction from The Illinois Arts Council. Fiffer has taught creative writing and literature at Barat College, The University of Illinois at Chicago, and Northwestern University. With her husband, writer Steve Fiffer,she is the co-founder of the Wesley Writers Workshop where she currently teaches.