Nohl: Suitcase Export Fund Winter & Summer Cycles 2018

May 14, 2019

In the first half of the sixteenth cycle, the Fund made thirteen awards, providing assistance with shipping and travel to thirteen individual artists, two of whom worked on the same project. In the second half, the Fund made twelve awards, all to individuals. These artists--five of them Nohl Fellows—work in a range of media and their exhibitions took them to Carbondale, Colorado; Miami, Florida; Portland, Indiana; Minneapolis, Minnesota; Kansas City, Missouri; New York, New York; Charlotte, North Carolina; Brownsville, Texas; and Park City, Utah. Destinations abroad included Argentina, Austria, Brazil, Canada, Ethiopia, France, Georgia, India, Ireland, Italy, Mexico, Spain, and the United Kingdom.

Debra Brehmer will create daily drawings during a one-month residency at Arte Studio Ginestrelle in Assisi, Italy that will become part of the International Collective Exhibition of works produced by the artists and writers attending the residency during the past year. She will also engage local populations in the Portrait Society’s (her Milwaukee gallery) nonprofit sketchbook project, On the Wing.

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HIJOS (Children of the Disappeared) invited Brian Carlson to install his memorial to the disappeared in Latin America, Aparecidos, at ex(ESMA), formerly a notorious detention and torture center and now a Museum of Memory in Buenos Aires, Argentina. The installation now includes more than 3000 painted portraits of victims of state terrorism in Latin America.

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Kyoung Ae Cho brought two works to Minneapolis for Silver Jubilee, an exhibition celebrating the Textile Center’s 25th Anniversary. The exhibition featured eleven artists who have made significant and unique contributions to the field of fiber art over the past quarter century.

Christopher Davis Benavides was invited to participate in American Clay 2019, an exhibition held in the Sala de Exposiciones Roman Zaldivar during the XI Feria Nacional de Alfareria y Cermanica in Navarette, Rioja, Spain. Davis Benavides will also conduct a three-day workshop and deliver an artist lecture.

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Makeal Flammini (Nohl 2018) brought her husband and two small children to the family-friendly Hotel Pupik in Schrattenberg, Austria, for a two-week residency that culminated in a public exhibition. Flammini created 20 drawings and paintings and two performances, and shared a studio with a long-time artist colleague based in Europe.

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Sæter Jørgensen Contemporary, a non-profit gallery and nomadic curatorial practice focused on realizing projects in Norway and France, invited Skully Gustafson to participate in a solo exhibition in the Gaillac region of the Tarn in France. For Le mouton à cinq pattes, the artist showed portable works on paper, and sold several.

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Hannah Hamalian took her film and animation work on a solo screening tour in the United Kingdom and Ireland. As part of her tour, she participated in residencies at Greywood Arts in Killeagh, Ireland, and at Createspace in Cardigan, Wales.

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Maeve Jackson created work onsite during a residency at Hotel Pupik in Schrattenberg, Austria that became part of the three-day group exhibition at its culmination.

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Director Brad Lichtenstein (Nohl 2011) and co-producer Madeline Power took Ashe ’68, a virtual reality short film about tennis champion Arthur Ashe, to the Sundance Film Festival in Park City, Utah. They participated in the New Frontier section as part of the VR Cinema exhibition.

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Kim Miller (Nohl 2009) screened a new work, ReWilding (2019), as part of an artist residency at the Performing Arts Forum in St. Erme, France. Initiated and run by artists, theoreticians and practitioners themselves, PAF is a user-created, user-innovative informal institution and all public events are open to the local population.

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Melissa Mursch was one of eleven women artists featured in Soft Somethings, a group exhibition at the University of Texas Rio Grande in Brownsville, Texas. Mursch is submitting soft sculptures/wall hangings that explore her experiences as a racially ambiguous queer woman. She will travel to Austin and Houston to meet other artists and to see where her grandfather grew up as she prepares to make a new body of work.

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Rosy Petri was represented by six textile works in a group exhibition hosted by the Black Archives of Mid-America and held in conjunction with the National African American Quilting Convention. This was Petri’s first exhibition outside Wisconsin, and she took advantage of her time in Kansas City, Missouri to visit the Negro League Baseball Museum and the American Jazz Museum to discuss works for their collections.

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John Riepenhoff (Nohl 2009, 2014) travels to Tbilisi, Georgia, to stage an iteration of Handler, an exhibition of sculptures of legs that support paintings by other artists at Project ArtBeat. The opening of the exhibition coincides with the city’s contemporary art fair. Riepenhoff, who runs the The Green Gallery in Milwaukee, will also do studio visits with local artists.

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Lenore Rinder screened her 2018 documentary, People of the Wild Tiger, at the Indian Institute of World Culture in Bangalore during Conservation Week. The film focuses on the people who live and work as naturalists and ecologists to save India’s endangered tigers in Karnataka; she remained in India for a month to pursue new collaborations with her Indian cast and crew.

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Kristina Rolander traveled to Sudbury, Ontario, to create a multi-use and immersive installation for Up Here, an independent urban art and music festival. Each summer, Up Here brings together dozens of muralists, musicians, and installation artists to transform the city’s downtown. Rolander’s installation, within the foyer of the Grand Theatre, was a life-size diorama with hand-painted backdrops, hanging elements, sheer fabrics, and environmental structures that transformed from day into night.

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Nicole J. Shaver drove her work to Charlotte, North Carolina, for Homeward Bound, a group exhibition she curated at Goodyear Arts, a nonprofit multi-arts space.

Anja Notanja Sieger produced the fifth iteration of her Advice Tent project--its first foray outside Milwaukee--at the O, Miami Poetry Festival in Florida. She trained twenty local teens to offer advice to visitors.

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Cris Siqueira (Nohl 2013) attended the premiere of her documentary, Ape Girl—a film supported by her Nohl Fellowship—in São Paulo, Brazil. The film screened five times to full houses at two venues. The success of the premiere acted as a spur to distribution in both Brazil and the United States.

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Roy Staab was invited to exhibit photographs, video, and new site-specific work in conjunction with his Proyecto en Sitio residency at La Coyotera Taller-Estudio in Umecuaro, Michoacan, Mexico. For the residency, he created site-specific outdoor work, as well as a work with native sunflowers in the gallery. This was Staab’s first exhibition in Mexico.

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Hungry Gardens, Tori Tasch’s solo exhibition at the Portland Art Center in Portland, Indiana, included 30 wall panels, four silk panels hung from the ceiling, and books. She offered workshops and a gallery talk that focused on sustainable art making practices.

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Gabrielle Tesfaye screened her latest film, The Water Will Carry Us Home, and previewed her next film, Yene Fikir, Ethiopia, at the Alliance Éthio-Française in Addis Ababa, Ethiopia. She also facilitated community discussions about her new work, taught a stop-motion animation workshop, and gave an artist talk connecting her cultural storytelling to ancient and contemporary Ethiopian art practices.

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Shane Walsh shipped several large paintings to New York City for his solo exhibition at the Asya Geisberg Gallery. He followed to install them and attend the opening.

Michael Ware was in Colorado, for the opening of Clay National XIV Nature Reconsidered: Reimagining the Natural World through Ceramics, the annual juried exhibition at the Carbondale Clay Center. His work was included in the exhibition.

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Rina Yoon exhibited a large installation work in With Through and Beyond: Celebrating the 20th Year of the Women’s Art Institute, a twelve-artist invitational exhibition at the Minneapolis College of Art and Design.

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