
Fee: FREE
Registration: The workshop is free but registration is required. Please click here to register
Call & Response artist-in-residence Daniel Minter pays a visit to Lynden as part of Slow Growing in the Time of Trees, a C21 Collaboratory. The Collaboratory brings together Lynden artist-in-residence Yevgeniya Kaganovich, her collaborators—Lisa Moline, Lane Hall, Kate Beutner, and Jim Charles—and their guests to cultivate an interdisciplinary creative space that examines the durational nature of trees, mushrooms, and humans, and the symbiosis between trees and human and non-human partners.
Minter will revisit sites of importance from his two-year residency, IN THE HEALING LANGUAGE OF TREES: a natural act of transformation restructured for curing many ills. The walk-and-talk will be followed by a wood-carving workshop suitable for carvers of all levels.
About the Participants
Daniel Minter is an American artist known for his work in the mediums of painting and assemblage who works in varied media. His overall body of work deals with themes of displacement and diaspora, ordinary/extraordinary blackness; spirituality in the Afro Atlantic world; and the (re)creation of meanings of home. Minter’s work has been featured in numerous institutions and galleries including the Portland Museum of Art, Seattle Art Museum, Tacoma Art Museum, Bates College, University of Southern Maine, Center for Maine Contemporary Art, The David C. Driskell Center, and the Northwest African American Art Museum. As founding director of Maine Freedom Trails, he has helped highlight the history of the Underground Railroad and the abolitionist movement in New England. In 2018, Minter co-founded the Indigo Arts Alliance, a creative center in the city of Portland, Maine, dedicated to increasing the visibility of, and support for, Black and Brown artists. Indigo is the manifestation of a lifelong dream to create a place where art, ingenuity, social justice, and diasporic collaboration is seeded and nurtured. Minter was a Call & Response Artist-in-Residence at Lynden from 2021-2023.
Artist-in-residence Yevgeniya Kaganovich is a Belarus-born, Milwaukee-based artist, whose hybrid practice encompasses jewelry and metalsmithing, sculpture and installation. Yevgeniya received an MFA from the State University of New York at New Paltz and a BFA in Metal/Jewelry from the University of Illinois at Urbana-Champaign. Yevgeniya has been an active art practitioner since 1992, exhibiting her work nationally and internationally. Her work has received numerous awards and has been published widely. Yevgeniya’s interest in craft scholarship and pedagogy lead her to undertake curatorial projects, panel and symposium organizing, and other contributions to contemporary craft discourse. Yevgeniya has worked as a Designer/Goldsmith at Peggie Robinson Designs, Studio of Handcrafted Jewelry in Evanston, Illinois and has taught Metalsmithing at Chicago State University, Chicago, Illinois, and Lill Street Studios, Chicago Illinois. Currently Yevgeniya is a Professor in the Department of Art and Design, Peck School of the Arts, at the University of Wisconsin-Milwaukee, heading a thriving Jewelry and Metalsmithing Area with a graduate and undergraduate programs.
In 2019, Kaganovich planted trees on the Lynden grounds for her tree intuits chair residency project. They have continued to grow in and out of the shape of chairs ever since. Slow Growing in the Time of Trees considers and contextualizes the time and materiality of the trees themselves, as well as the trees in relation to the human and non-human species that come into contact and engage in transformations with them. It focuses on the aesthetic possibilities of intermixing human and nonhuman processes in complex webs of entanglement inherent in durational processes. Throughout the growing season, Kaganovich and her collaborators will create speculative forms out of reused plastic bags and cardboard, inoculate grain and straw medium with three varieties of oyster mushroom spores, and situate the forms in and around the trees on the grounds of Lynden Sculpture Garden, documenting the ways in which these cultivated fruiting bodies develop and distort Kaganovich’s fabricated forms.
C21 is the University of Wisconsin-Milwaukee College of Letters & Sciences Center for 21st Century Studies. C21 believes that the complex challenges we face in the 21st century are best met through collaborations across areas of expertise and experience, and that the humanities are a vital part of addressing these challenges.Collaboratory funding is an opportunity to bring together teams of scholars across disciplines, across university and community partnerships, and across emerging and established scholars (students / staff / faculty) to inspire the generation of new ideas.